THE HEROES

Highlights of Exhibition

  1. All the musha-e on display for the very first time in Japan! 118 works from the MFA collection will introduce musha-e, depicting popular heroes of Edo.
  2. The popularity of musha-e can also be seen in tsuba sword mountings! 27 tsuba sword mountings that have musha-e related imagery will be exhibited together with the ukiyo-e prints.
  3. The world-class collection of 20 famous swords from the MFA collection are coming back to their country of origin.
  4. Only the Shizuoka venue will showcase swords that are National Treasures or Important Cultural Properties! A special display of 6 famous swords from collections in Japan.
  5. Visual story-telling! Four-frame musha-e cartoons will appear at the exhibition.

The Age of the Gods

The tales of the age of the gods were passed down through the Kojiki (712) and the Nihon shoki (720), as well as in various provincial Fudoki (Gazetteers recording oral traditions). They not only tell stories of gods such as Amaterasu ōmikami and Susanoo no mikoto, but also relate to various war feats of emperors and provincial nobles. Although not many stories from this period were depicted in Musha-e, from the 18th century, when warrior picture books appeared, they became popular and were also depicted on framed votive wooden plaques in Shinto shrines.

Utagawa Kuniyoshi, “In Toyora Village, Koshibe no Sugaru Captures a Thunder Monster”, Edo period, about 1834–35 (Tenpō 5-6), Bequest of Maxim Karolik

The Heian Period

During the Heian period, two warrior clans, the Seiwa Genji (Minamoto) and the Kanmu Heishi (Taira), held great power. Both had various legends of valour, and Minamoto no Yorimitsu, the third-generation head of the Seiwa Genji clan, in particular has been depicted in heroic stories such as “The Earth Spider,” “The Shutendōji of Ōeyama” and “Kidōmaru at Ichiharano”. Yorimitsu’s legendary retainers Watanabe no Tsuna, Sakata no Kintoki (who was known as Kintarō in his youth), Usui no Sadamitsu, and Urabe no Suetake were known as the Shitennō (Elite Four) and make their own appearances individually in various warrior stories.

Utagawa Kunisada I (Utagawa Toyokuni III), “Watanabe no Tsuna and Sakata no Kintoki Playing Go in a Room with Monsters, with Hirai Yasumasa and Minamoto no Yorimitsu in Background”, Edo period, about 1815 (Bunka 12), William Sturgis Bigelow Collection

Utagawa Kuniyoshi, “The Earth Spider Slain by Minamoto no Yorimitsu’s Retainers”, Edo period, about 1839–40 (Tenpō 10–11), William Sturgis Bigelow Collection

Genpei Wars

At the end of the Heian period, the Taira clan was led to prosperity by Taira no Kiyomori. However, in 1180 (Jishō 4), Minamoto no Yoritomo raised an army, marking the beginning of many battles between the Minamoto and Taira clans until 1185 (Bunji 1), when the Taira were defeated in the Battle of Dannoura. The tales of these battles are recounted in war epics such as the Heike monogatari and Genpei jōsuiki, and these stories make up a large proportion of musha-e subjects. There are numerous stories about individual military commanders in both the Taira and Minamoto clans, but Minamoto no Yoshitsune in particular was a popular hero during the Edo period. He appears in many musha-e starting from the time of his youth, when he was known as Ushiwakamaru, to his tragic end when he was pursued by his elder brother Yoritomo.

Utagawa Kunisada I (Utagawa Toyokuni III), “Musashibō Benkei and Onzōshi Ushiwakamaru on Gojō Bridge”, Edo period, about 1813-14 (Bunka 10-11), William Sturgis Bigelow Collection
Sōten School,“Tsuba with design of Ushiwakamaru and Benkei fighting on the Gojō Bridge”, Edo period, 19th century, William Sturgis Bigelow Collection
Utagawa Toyokuni I, “Shichibyōe Kagekiyo and Mihonoya Shirō Kunitoshi”, Edo period, about 1813–15 (Bunka 10–12), William Sturgis Bigelow Collection
National Treasure “Masatsune Sword of the tachi type”, Heian period, 11th century, Fukuyama Museum of Art (Komatsu Yasuhiro Collection)

The Kamakura Period

Soga monogatari is the tale of two brothers, Soga no Jūrō Sukenari and Soga no Gorō Tokimune, who, after enduring hardship for 18 years, finally avenge their father’s murder by killing Kudō Suketsune at an evening hunting organised by Minamoto no Yoritomo in the foothills of Mount Fuji. In the Edo period, this story was a popular subject not only for reading but also for ukiyo-e prints and kabuki theatre. This hunting is known as the “The Hunt at Mount Fuji,” with Nitan no Shirō Tadatsune as a boar hunter, which was a typical composition of the scene.

Utagawa Kunisada I (Utagawa Toyokuni III), “Lord Minamoto no Yoritomo's Hunt at the Foot of Mount Fuji, a Triptych”, Edo period, about 1813 (Bunka 10), William Sturgis Bigelow Collection

The Taiheiki

The Taiheiki is a war epic recounting battles, mostly covering the end of the Kamakura shogunate and subsequent state of war between the Northern and Southern Courts that lasted. It was popular not only in picture scrolls and illustrated printed editions, but also in the Edo period as a storytelling called “Taiheiki yomi”. In ukiyo-e, the exploits of loyal retainers of the Southern Court, such as Kusunoki Masashige, his son Kusunoki Masatsura, and Nitta Yoshisada, were commonly illustrated as subjects. One of the more curious legends that has been depicted since the early days of ukiyo-e involves Kusunoki Masashige, who was killed at the Battle of Minatogawa but returns as a ghost to attack Ōmori Hikoshichi.

Utagawa Kunisada I (Utagawa Toyokuni III), “Ōmori Hikoshichi”, Edo period, about 1828-30 (Bunsei 11-13), Bequest of Maxim Karolik













The Battle of Kawanakajima

Kawanakajima is located in the northeastern part of present-day Nagano Prefecture, in the area where the Sai and Chikuma rivers meet. During the 12 years between 1533 (Tenmon 22) and 1564 (Eiroku 7), the warlords Uesugi Kenshin of Echigo Province and Takeda Shingen of Kai Province fought 5 battles there. Ukiyo-e prints have been produced depicting the death of Takeda Shingen's military strategist Yamamoto Kansuke, as well as a series depicting various Kai and Echigo warlords, but the hand-to-hand combat between Kenshin and Shingen has been the most widely depicted scene since the beginning of ukiyo-e.

Utagawa Kuniyoshi, “The Great Battle of Takeda Shingen and Uesugi Kenshin and Their Retainers at Kawanakajima”, Edo period, about 1845 (Kōka 2), William Sturgis Bigelow Collection
Important Art Object “Osafune Nagamitsu Sword of the tachi type”, Kamakura period, 1274 (Bun’ei 11), Yonezawa City Uesugi Museum

Heroes in Novels

In the late Edo period, lengthy historical novels called yomihon began to be published, and these stories of adventure proved to be highly popular. In ukiyo-e, the print series Tsūzoku Suikoden by Utagawa Kuniyoshi, depicting heroes from a famous Chinese novel, became a huge hit. After that, musha-e of the 1830s and early 1840s (the Tenpō era) went beyond portraying historical war epics such as Heike monogatari and Taiheiki, and began to include fictional characters from novels.

Manjirō Hokuga, “Illustration from the Book Chinsetsu Yumiharizuki: The Wolf Yamao Attacks a Giant Serpent on Behalf of His Master and Leaves His Bones in the Mountains”, Edo period, about 1840 (Tenpō 11), William Sturgis Bigelow Collection

Notable Swords from the Museum of Fine Arts, Boston

The exhibition features 20 carefully selected swords from around 600 blades in the MFA’s collection, which holds the highest quality and quantity of Japanese swords outside Japan. From Yasutsuna of Hōki no Kuni, dating back to the mid-Heian period, to the Edo period's Horikawa Kunihiro, Inoue Shinkai and Suishinshi Masahide, this exhibition provides an excellent overview of Japanese swords through the works of exceptional swordsmiths.

Yasutsuna, “Sword of the tachi type”,Heian period, 11th century, William Sturgis Bigelow Collection
School of Fukuoka Ichimonji, “Sword of the katana type”, Kamakura period, 13th century, William Sturgis Bigelow Collection
Osafune Kanemitsu, “Sword of the tachi type”, Kamakura period, 14th century, Charles Goddard Weld Collection
Horikawa Kunihiro, “Sword of the katana type”, Edo period, 1610 (Keichō 15), Gift of the W. A. Compton Oriental Arts Foundation
Kanō Natsuo, “Uchigatana mounting with a polished black lacquer sheath”, Edo period-Meiji era, 19th century, William Sturgis Bigelow Collection